Bad Waitress’ antsy art punk revels in fits of fury and ego. It spits in your face and winks, ferocious and playful. The Toronto-based four-piece play like they’re conspiring or casting a spell, each member wielding a different power, howls and erratic drum fills and fiery riffs fueling one another. 

That improvisation spirit doesn’t stop at their music. Katelyn Molgard, Nicole Cain, Kali-Ann Butala, and Moon finish each other’s sentences. Their conversations flow like free jazz. When asked to describe Bad Waitress’ sound, they agree on one word: conviction. “We play with conviction. There's nothing apologetic about it,” Kateyln says. “Even with our bizarre song structures, we don't hide anything in our music. It's just very...I don't like the word raw, it’s overused, but...raw.” The band fidget between genres, instead honing a distinct energy. “It's energetic. It's electric,” Moon adds. “It's whatever word that we can think of later that's better than raw.” Nicole suggests, “Honest?” Katelyn jumps in, “Rawnest.” 

The path that led them together follows a similar rhythm. Kali (Vocals & Guitar) and Moon (Drums) started jamming as The Nude Dogs back in 2014. Katelyn (Vocals & Guitar) joined two years later, and by 2018, the trio would release their Party Bangers EP under the name Bad Waitress. “It started off small,” Moon reflects. “The main premise of the band was that we just wanted to get together and play music with people who weren't old men.” When Nicole (Bass) joined in late 2018, things really clicked into place. “We didn't realize what was missing until it happened. Then it was like, this is like what our fucking band was missing this whole time, this extra little piece that made it all make sense.”

Bad Waitress’ debut full-length album, No Taste, finds strength in mood swings, from upbeat “groovin down the street” songs like “Strawberry Milkshake” to “I'm gonna fucking punch everyone” songs like “Lacerate,” as Nicole puts it. “It’s good to listen to when you're walking alone at night. I get really anxious, but I feel powerful when I listen to this album, like I’m fucking untouchable. It’s basically a self-defense album.”